If you cannot see the back LCD on your DSLR maybe it is not a good time to take pictures or video? Or you should stick to film that has huge room for bright highlights in full sun? 95% of my best digital outside photos or video are taken when it is not bright overhead sun. So instead of a new camera with EVF or reading the zebras to make sure your highlights are not blown you should just take your shots or video when the light is good? Even if you turn down the exposure on digital so you don’t blow your highlights in full sun you have to pull your shadows up so much that you get a lot of noise. The best digital cameras like a Nikon D850 only have about +2 stops of highlights before the pictures are unusable. The best film like Portra have about +4 stops. Many times when the photo is overexposed a stop when you try to improve it in post you just don’t get a good result even using raw.
The flower below was taken with a digital camera about an hour before sunset and mostly in the shade.
Nikon D750 taken late afternoon
The shot below is what happens to many digital photos when taken at mid day.
Same camera as the above shot a D750 but full sun in North Dakota this summer. This was taken raw but there is no way to get this into a good photo. At least it is beyond my ability.
On the other hand here is some film shot at mid day with full sun.
Inexpensive Fuji film and the lowest priced scanFuji 200 (cheap) but a medium quality scan both of these taken at mid dayD850 late afternoon in shadeFuji 200 mid day shot. Medium scan.Black and white film works fine mid day but a filter either red or yellow would have improved the sky. Kodak TriX 400This is Tmax 100 with no filters. Again I should have added a yellow or orange or red filter.
Right now you have a ton of people switching to buy mirrorless cameras from DSLRs to get an EVF. That way you can control your exposure better when you can’t see the back screen. My suggestion is that if you cannot see your back screen maybe your camera is telling you it is not a good time to be taking pictures.
Now if you are switching to mirrorless because you want to take more videos with your camera then I think that is a good reason. But if you are going to take mostly or all photos and not video there is no reason to ditch your DSLR or not buy a new one. Both Nikon and Canon offer very good DSLRs at modest prices. I have a several year old Nikon D5500 that takes sharp clear detailed photos and is half the price of a comparable mirrorless.
So mirrorless full frame cameras are now going to be a common thing. Sony has had most of the headlines in this category for the last couple of years. Leica has long made mirrorless full frame cameras too, but they are a very high cost device and their announcements for reasons of price and also features have been muted. I personally have been waiting to see what Nikon and Canon announce as at this point I really do prefer the full size 35mm image capture either film or digital to other sizes. Why, it is what I am most used to and also seems to work best.
Expired Kodak Gold 200 taken with Minolta 600si 35mm with Minolta 50mm f1.4 Edited with Lightroom CC Clasic
Last Spring I rented a Sony A7riii with a Zeiss 55mm f1.8. At the time I was not thrilled with this camera except for it’s images. When I rented the camera they did not include an operators manual (even though I likely would not have read it) and I found it quite confusing even though I have had four compact Sony’s and the menu system is similar to the A7.
Sony A7riii with Zeiss 55mm f1.8 taken as a jpeg with a small amount of editing in LR
I blundered along using the A7riii for a day and of course used it in the most harsh condition of full sun mid day. But I did get a few shots of subjects I had taken with other cameras and found the jpegs from the Sony to be excellent. I only shot jpeg and did not do anything but shoot in aperture priority. This was before I bought a Nikon D750 and was used to the weight and size of a D5500. I found the Sony to be heavy and hard to hold. But then for a month after I got the 750 I found it heavy and hard to hold. Since I used this A7riii there is a Sony A7iii that is cheaper than the r model. But now we are down to 24 mega pixels and not up at the r’s 42.
My overall impression of the Sony was good and not so good. The images looked very good when I figured out how to operate the computer, oh I mean camera. But I am sure I would learn how to operate it just like I figured out how to use a MacBook after 20 years with Windows. What I might not get used to is the grip. Not nearly as nice as my Nikon D5500 or D750. But then my favorite camera is an Olympus OM2n which has no grip at all. The Oly is just a flat case like the Leica M’s.
Nikon had their somewhat low key intro for the Z6 & Z7 just over a week ago. I still have not held one in my hand as is the case with nearly every other prospective buyer. But a fairly big number of youtube personalities have and like almost every news caster today spins their opinions in lots of different directions. To me the main reasons to get mirrorless over a DSLR is that you get an EVF and WYSIWYG (What you see is what you get) plus much improved video ability. I like WYSIWYG. It is very useful so see what you are going to get in a viewfinder before you take the shot. This is one of the main reasons cell phones are so popular for photos and video. It is easy to get great shots if you know what you are going to get before and when you are taking it. Plus good video ability. My two Nikon DSLR’s are hard to use for video so I don’t. I use my iPhone.
Nikon D750 with 50mm f1.8 That is my wife’s face in the upper left of the shot
Pros of the Nikon Z’s
Looks like a typical easy to hold camera body like my existing two Nikons
My Nikon glass adapts easily to these cameras
I have had very good experience with Nikon. Their cameras have been very reliable
Touch screen has full control of menu settings. This is a big deal. I have that on my Nikon D5500 and it is very fast and easy to adjust settings. However, my Nikon D750 has marked dedicated buttons for major functions like ISO and Image quality. The buttons make up somewhat for the fact the 750 screen is not a touch screen. Sony’s screen is not a full featured touch screen. Sony’s buttons are not marked. That means I have to assign the functions and remember where I set them. Overall I would have to say that Nikon’s choice to go with full featured touch screen on the Z’s is the best one. Sony’s the worst.
Nikon introduces a good working inexpensive adapter for Nikon’s F mount lenses.
Nikon comes out with 3 lenses that are relatively small and relatively well priced with new cameras.
Very good set of video specs. From the video I watched on youtube last night it seems like the video focus works quite well as does the stills focus. But so does Sony.
Z7 has basic ISO of 64. The best of any of the new mirrorless full frames.
The bodies are smaller and lighter than my D750. But so are the other new mirrorless full frames.
High resolution EVF
Cons of the Nikon Z’s
One card slot and the one card is not SD. My D750 has two SD card slots. I like two slots.
Screen does not fully articulate like my D5500. In fact it is exactly like my D750.
New lenses are high priced. Why does the new 50mm f1.8 cost more than my recent 50mm f1.4?
Z7 more costly than D850 which is the king of DSLRs at the moment. If you don’t care about video the 850 seems like a better buy.
No built in flash. I have one on my D750 and it works very well.
Sony HX 80 Compact Zoom – mirrorless
Canon EOSR.
Canon announced their full frame mirrorless EOSR a few days ago. Orders can be placed this week and deliveries very shortly after that. I have never owned a Canon camera so my comments are just armchair ones. I would like to say that my sister has had Canon for years and is happy with it. My son who is a professional camera man for movies and TV has both a Canon 5Diii and a Sony A7s. He likes Canon. He likes Leica lenses better.
Pros for Canon
Canon has a habit of making cameras that work well without problems.
30 mega pixels vs 24 for Sony and Nikon (The lower Sony and Nikon)
Fully articulated screen
Touch screen
Inexpensive adaptor seems to work very well with Canon legacy glass
Made in Japan
Cons for Canon
One card slot
4K video is cropped
No high megapixel option
Two of the new lenses are huge. Small size is one of the major benefits of mirrorless and huge lenses defeat that. Those two lenses are also very expensive.
Nikon D5500 with 18-55mm f3.5
Panasonic.
Panasonic has made it their speciality to make excellent mirrorless mirrorless micro 4-3rds cameras that are known for their video capability. They have indicated that they will announce a full frame camera in a few weeks. Since good video is one of the prime reasons to go mirrorless this might be a dark horse winner.
Olympus
Olympus has made a very popular line of micro 4-3rds cameras along with Panasonic the last ten years. In the past Olympus has introduced some very innovative cameras. The OM line of 35mm film cameras offered a very capable 35mm body that was smaller and lighter than the competition. The XA compact film 35mm camera was a miracle of miniaturization for full frame image size in a pocket camera. The EM5 digital camera of 2012 started the trend of making retro digital cameras with in body stabilization, advanced video, and a high quality lens line. So anything could happen from these guys.
Fuji
Fuji has been rumored to be introducing a larger than full frame sensor rangefinder camera at Foto Kina in Germany later this month. Prices for the body are supposed to be in the $3,000 – 3,300 range. If so that could sway Z7 and A7riii buyers to look at the Fuji. We will have to wait for announcements to see how all the Panasonic, Olympus, and Fuji cameras turn out.
iPhone X using portrait mode. As it came out of the camera with just the Apple enhance button pushed.
Conclusion
If you need a camera today you need to buy a Sony. And that might not be such a bad idea. They have three mirrorless models and also the A 99 which is mirrorless but different. Sony now has a very good lineup of lenses for zoom or prime buyers. And with an adaptor you can easily use the older Minolta AF lens line at a much lower price point. I have a number of pieces of Minolta glass and can tell you that some of it is excellent. I would put my Sigma/Minolta 50mm f2.8 macro up against any comparable lens for sharpness. And Sony is a huge company that has the resources to forge ahead with new models. They currently also have a line of excellent crop sensor cameras that use the same E mount.
For Nikon and Canon I would say that if you have Nikon or Canon lenses now that you should likely stick with that brand and go with mirrorless if you plan to do both stills and video. If you are going to mostly shoot stills I would stick with DSLR’s. Two of my friends bought Canon full frames recently at very good prices. I bought a D750 because Nikon made me an offer I did not want to refuse. And sticking with a DSLR means you can use the existing lines of glass new and used without adapters and at much lower price points than any of the mirrorless full frames. I came very close to preordering one of the Nikon bodies the first day. But then I just decided it would be better to hold one in my hands and maybe even rent one before buying. I suspect the Nikon bodies will not be fully sorted out for a while. For that mater Adobe won’t have raw conversion when the first production models come out.
The last three, Pana, Oly, and Fuji, their offerings are not known yet and only rumors.
Nikon D750 with 50mm f1.4 taken raw and edited in Lightroom CC Classic
Oh, and to leave the best for last there is Leica. I would love to have the budget to buy an M10 with autofocus. But I don’t have the budget and they don’t sell them with autofocus. I actually like focusing my old Olympus OM2n bodies because it is so easy when it is light outside. I like the look and feel of a Leica M10 better than any other. I love the small size of the bodies and especially the lenses. But at about $8,500 for an M10 and a 50mm Summicron is that really a wise purchase in 2018. I suppose you could make the case that an M10 and an iPhone X paired is all you would need. But realistically you would want a 50mm, 28 or 35mm, and a 135mm for your kit. And now we are up to about $15,000. But going back to the first though, an M10 with 50mm Summicron + the optional electronic finder, paired with an iPhone X would be a pretty good set up. And you could call it quits and just know you were carrying two of the World’s best cameras. Keeping in mind that the Leica does not shoot video. So if a lot of video is in your future a Leica M10 is not.
But think about this. A Nikon Z6 with a Nikon new Z mount 50mm f1.8 could be bought for about $2,800. It includes EVF and video. The size is similar to the Leica, but with the lens the Nikon will be longer from back to lens front. The grip is likely more comfortable than the M10 that does not really have one. That said I find no problems when I hold an M10. And with my similarly sized Olympus OM2n I have been using it for 38 years and it is my favorite camera. So is this a better camera setup than the Nikon D750 or Canon 6D or 6D II? For just stills, maybe not.
Nikon D5500 with 18-55P kit lens taken raw and edited in Lightroom CC Classic. Seen in the full size file this is very detailed. Plus Lightroom dehaze made this a great shot. I used the D5500 the whole day plus my ever trusty iPhone X.
Added the next day September 10
I write this blog to keep track of my thoughts and maybe once in a while put up something that helps out someone else. And in no way do I make any money from this or intend to ever do that.
It is amazing the amount of chatter and people involved in photography today and the storm in information and opinion going on about the new photo tools coming out this year. The year 2018 is almost 3/4 over, but it is like a building crescendo of noise from all the new cameras coming out. It seems like Sony started the noise back at the end of last year with the really capable A7riii. Then Sony upped the ante and added the cheaper but also very capable A7iii in the Spring. Now Nikon and Canon have introduced their full frame mirror less bodies and the noise is gone way up without any production units shipping. A few blogger-youtubers say they have production model Canon’s but to me real production units is when many regular users get their cameras.
What all of this reminds me of is when computers were something everyone was getting and general use of the internet was fairly new. Say about 2000. Every few months performance and new applications were introduced and Microsoft would make changes on their system. Many people including myself bought a new computer frequently. In my case I had both a desktop and laptop. I got a new one at least once a year. And Apple was starting to make a comeback. Today’s computer-cameras right now seem to be changing a lot and their is a lot of noise going on as to what the changes are and what is best.
Taken with 2000 Minolta 600si with 50mm f1.4 Minolta lens and Kodak TriX 400. Developed and standard scan. A tiny tiny edit in Lightroom CC
All of this excitement is good for photography and video. But it is not the same as computers in 2000. Back then many of the computers and computer software being sold was crap. Remember the blue screen of death. For those too young to remember that is when Windows crashed yet again and you had to restart your computer. What is different is that there are all kinds of very good cameras being sold today that do not have problems and the new bodies are just improving things a little. Keep in mind the new Nikon and Canon bodies are also taking things away, like the 2nd card slot. And going with shorter battery life. Even Sony has an excellent legacy system. The A mount that has the same sensor and mega pixel count as the top end A7riii.
WYSIWYG is a big deal if you take the time to consider and adjust your shots before taking them. Blown highlights are still an issue with digital sensors and being able to tone them down before taking the shot will help you get better shots with fewer tries. WYSIWYG is not new except for Nikon & Canon in the viewfinder. Even with Nikon’s exposure setting for highlights it is helpful to be able to see in the viewfinder if you are going to blow the highlights in advance. I do that with my little Sony compact. I set it to aperture and look at the zebras before I take the shot in the viewfinder. I turn down the exposure when I see zebras. It saves ruined shots and saves time in post. So I expect EVF’s are going to take over. Eventually.
The big German camera show Photokina is going to be here shortly and I expect more announcements from more camera makers. But here is the thing. Until these new devices get released and in the field no one will really know how good they are. My favorite blog this morning after singing the praises of Nikon a couple of weeks ago and basically saying Fuji can now go back to making film. Sony can go back to TV’s and toasters. Now this morning is changing their mind as says buy Sony A9 for sports and action and Canon R for everything else. Now I am paraphrasing here and condensing the last couple of weeks of this blogs postings plus this is just my opinion of their postings – but if you had followed this blogs advice you would have placed both the A7 and A6 on preorder. Now we are told that in fact Canon is the best one except for sports and action. So you have $6,000 worth of Nikons coming in that are now not recommended. But the blogger would have been paid a commission if you had used the links on the blog.
My advice. Spend your time and money learning to use the image capture devices you already have and concentrate on improving your ability instead of trying to improve your images and video with new systems. When there are units in the field and you can go to a camera shop and hold one then that is a good time to maybe buy one. Or not buy. All the camera makers are giving big money off their existing models and Fuji just introduced their XT3 body for less money than the XT2. And the XT3 is mirror less. (crop frame though)
1980 Olympus OM2n with 50mm f1.8 using expired Kodak Portra 400 developing with standard scan. A little Lightroom CC editing.Same details as the shot above. I love the colors in these two shots. The Kodak Portra gave colors I just don’t see from my digital cameras or the same look. To me film still many times adds something you cannot get from digital. Film is analog and we still see in analog.
Two posts ago I put up one talking about taking a ton of camera gear with me on our current long extended trip. I wish I had not done it. If I had it to do over again I would take – 1. Cell phone of course. It is always with you. 2. Compact pocket camera with long zoom. About the same quality as a good cell phone but with the ability to optically zoom. 3. Digital changeable lens camera. 4. Changeable lens film camera. And if I was flying somewhere out of the USA I would leave the film camera at home.
Nikon D750 with 50mm f1.4
Why? The number one most important rule in taking good photos or video is to know your camera. Lots of cameras means you never really get really familiar with them. This is really true of digital cameras, but also a bit true of film ones. Today even good smartphone cameras have many many options. It seems like every year more are added and they become more complicated. And my compact Sony pocket zoom has so many menu options that it is almost impossible to understand them all. On the other hand I have found Nikon DSLR cameras easier to figure out. And my D750 full frame digital is pretty simple if you are using raw.
Nikon D750 with 50mm f1.4 Nikkor
What lead me to write this post was today when I was using my Olympus OM2n film SLR that I have owned for 38 years. I was in a public place and my dog was with me on a leash. I loaded up a roll of expired Ektachrome I had been saving for some Montana shots. The OM2n film loading is tricky. You need to make sure the film is loaded securely or you can think your film is going through when you cock the wind lever and it is slipping over the sprockets. I have leaned by past bitter experience that you need to look at the rewind winder when you cock the shutter to see that it moves a bit. If it does not the film is not moving. Today the rewind winder did not move. So I just opened the back and sure enough, loose film. Now with lots of leader out I got it loaded fine. Then when leaving the left side of my Peak strap came loose. The little black flexible string had fit through the break in the circle holder on the Olympus camera. Fortunately I caught the problem before my almost 40 year old camera was broken from falling.
If you use only one or two cameras then this sort of problems become rare. You know what to look for. Before the days of cell phone cameras I would say that you should only have one camera with you, but today you almost always have the cell phone one with.
As I said in the last post I was headed out to use a film camera (Minolta 600si + 24mm f2.8) to take shots of a western styled old town. I really had a good time and very much enjoy the fact that I got some really great photos. Of course I have not seen any of them yet except in my mind’s eye as they were film. Why was this really enjoyable?
I am now writing this post instead of editing my pictures.
The camera is absolutely a great high quality and easy to use film SLR.
I am currently have no regrets about what settings I did not get right for the pictures I shot.
I am confident that likely all film shots will give images and that some will be great.
I shot this with a Nikon 750 and 24-120 zoom lens. This was the day we got here and was lucky enough to have just a little break in the haze that has been around the last three days.
A while back Ken Rockwell mentioned in his excellent extensive web site that a big advantage of film was that you did not spend your evenings after shooting during the day in front of a computer editing your shots. Boy was he right. After I go out and shoot for a day using a digital camera I edit them later in the day. This can be a short time if I used my iPhone. Or a long time if I shot raw and need to go through every one of them getting them to look their best.
Most 35mm film SLRs are really simple to use. Even my fully automatic Minoltas have no menus. All functions are operated with simple visual switches and buttons. Plus it is very easy to go full manual or semi manual if you want. Easy peasy no confusing crap like figuring out which of the choices I want to pick from either of my Nikon DSLRs. I do think about what film I should use for the shoot though. Today I mostly shot using Kodak TriX and then some with Kodak Ektar. I thought the subject would match those two films characteristics best. And I only took one lens, a 24mm f2.8. I took that because it lets you get close and still get a lot in the shot. Plus if people are around you don’t have to point right at them to include them in the shots. And at 24mm almost everything is in focus.
This is shot with a Nikon D750 and 24-120 f4. Taken in Teddy Roosevelt National Park.
I have no regrets from my settings as I have not seen any of the results yet. In general I only change the meeter settings on the Minolta from spot to matrix or center weighted. And I usually go back and forth between A and P on the mode dial. The Minolta’s auto focus works so well with only 3 spots I almost never manual focus. But if I did want to manual focus the Minolta viewfinder is bright and better than either of my Nikon cameras viewfinders. Of course with a film camera the big setting you change is what film you use. But that comes from learning which you like for what subject.
When I shoot film, which is frequently, almost all the shots provide an image. If I use a good processor the quality of the images I get back improves a lot. Usually when I shoot 36 exposures I get back 36 usable shots. Mostly they need little editing or no editing unless the subject was in bad lighting.
WHY TRI-X AND EKTAR?
I like black and white film when I want to show shapes and and not be distracted by colors. And the subject was a western themed town and black and white suites that. I like Tri-X for it’s contrast and starkness. Tri-X will likely help this subject as it is mostly newer buildings made to look like the 1880’s. I think they will look more authentic with Tri-X. I shot a few photos with Ektar 100. This is my favorite outdoor color film when not shooting people. Ektar is OK with people but puts some red into their complexion unlike Portra which adds white. To me Ektar just makes most landscapes better. The colors pop. It is very fine grain. It loves the outdoor shots in the western USA. It is the king of red rock photography. Portra would have worked OK for this subject too. The slightly faded look would have added to the “old” theme of the town. Plus Portra is almost impossible to expose poorly. And several of the Fuji slide films would have worked well too.
We travel regularly by motorhome. We don’t live in a motorhome, but we do go for local and extended trips with one. One of the benefits in doing this over either going somewhere by car or flying when you like to take pictures and video is you can take everything. Another benefit is that if you are a hybrid shooter who uses both digital and film you have a refrigerator with you to store your unused and exposed film. We left mid June and I had with me.
Nikon D750 Full Frame digital DSLR with two lenses
Nikon D5500 Digital DSLR with three lenses
2 Olympus OM2n’s with six lenses
2 Minolta 600si SLR’s with six lenses
1 Voightlander Prominent rangefinder with 50mm f1.5
1 Sony compact HX 80
1 iPhone X
At least 30 rolls of film
3 tripods. None have been used yet.
We are now still on our trip. Since I bought the D750 shortly before the trip I have used that the most so far to see how well it performs.
Taken with a Nikon D750 with Nikon 24-120 f4
And the answer to that question is pretty dam well. Other than the two little corner imperfections that I should get rid of with Lightroom the above photo from Bryce National Park is very nice. Yes there is a little bit of sky issue caused by too wide of a lens for a polarizing filter, but when you look at the file in full size on a good screen the detail and color of the rocks is stunning.
Nikon D750 with Nikon 50mm f1.4
The above shot was a couple of days earlier near Page UT. This was taken at dusk and the file was taken raw and it allowed me to bring up the foreground of the photo so that it blended well with the top of the frame. When you see this file full size it is very detailed. Again I have not done as much Lightroom as I could and the top corners need a little fixing.
My experience using this camera when traveling is that if you put my 50mm f1.4 prime lens on it and one of the Peak larger camera straps you can carry it around pretty well without feeling weighted down. It is nowhere near as easy to use like this compared to the Nikon D5500.
Taken with a Nikon D5500 and 18-55mm P
All three of these photos above were with my D5500 and the latest 18-55 P model zoom. I took the D5500 with me this day because it is much lighter than the D750 and I felt like using it instead of the 750. To me the 5500 files are as good as what would have come from the 750. But when I work with files from both these cameras there is no doubt that the full frame 750 and full frame glass gives more details and less noise. It seems like you can crop the 750 files forever and they still look great.
And a few times I have put the little compact Sony in my pocket and come up with these results.
All of these were shot hand held. You cannot do raw with the Sony so these were jpegs only.
Plus I did use my iPhone X some.
For the iPhone X pictures I used for these three the native Apple app that comes with the phone. Sometimes I use the Adobe Lightroom camera app which allows you to use raw. This works very well with the Adobe Lightroom mobile app on the phone and my iPad. But as you can see from these three shots that the standard Apple app works pretty good. The middle photo is taken using Apple’s portrait mode. This now gives what I would call excellent results in most of the times I use it.
Now here is the bad news. No matter how many cameras you have with you you cannot control the weather. We have been in the mid west USA mid summer heat dome and we have had bright overcast days for at least a month now. Blue skies and puffy clouds have been as rare as Leicas. Bright overcast skies are the enemy of good outdoor photos. Bright overcast skies are almost impossible to shoot with a digital sensor camera as all digital cameras do not handle highlights that well. Even if you shoot in raw you might have only two stops over on the best digital camera. What happens is this.
Wisconsin Dells shot spoiled by too much contrast in sky to land. North Dakota grasslands spoiled by too bright sky
So with too much contrast in the sky you only solution is to take shots without sky like the one above. The problem with this is that when you are at places with natural things to see like National Parks you need to put some sky in the shots sometimes.
To me not being able to handle over-brignt highlights as well as photo film is digital photographies biggest weakness. In one very well done you tube video I have watched a couple of time “The Slanted Lens” showed how the Nikon D850 compared with Kodak Portra film. The Nikon shots were not usable at 2 stops over and the film was OK up until about 4 stops. This is a very big difference. Remember that each stop doubles the amount of light.
Mirrorless cameras with good EVF’s and indications in the viewfinder are helpful at knowing when the highlights are too bright. However, this does not fix the problem. It tells you to turn down the exposure, but then you can plug your shadows. Or if you don’t plug your shadows, you darken them. And when you turn up your shadows in post it increases noise.
Film tends to work better than digital in situations where you have very bright highlights and lots of contrast. At least film with lots of dynamic range does.
Thats it for now. Time to go shoot some film in the classic western town of Medora with classic old SLR.
I bought a Nikon D750 a few weeks back. I love the images I am now getting out of it. I hesitated buying this camera for a couple of years for one main reason, it is big and heavy.
Nikon D750 and Olympus OM2n
This afternoon I took out the camera bag that holds my two Olympus OM2n’s. I removed the winder from one and took the ever-ready leather case off the other. I then put the new Peak strap on the Oly and was kinda shocked at how compact and light it is. The above picture gives you an idea of the size of both. Both cameras are full frame, both have a 50mm f1.4 lens on them. Of course the Olympus is film and manual focus.
In addition to size the Olympus weighs about half as much even though it’s body and lens exterior is mostly metal.
Going by what I have seen on the Nikon Rumors pages the most likely camera in their opinion will be a lot like the size and look of the OM2n/ Leica M10.
Please Nikon make this reduced size mirrorless full frame camera a reality. I cannot afford a Leica M10 unless I sell all of my camera gear and then throw in a few extra grand. And even after all that the Leica will have no auto focus.
Once again Nikon, I love the image quality out of my D750, but I hate the size and bulk. And a Sony A7iii by the time you add a lens is not much smaller.
After thinking about it for 3 years I finally bought a full frame Nikon D750 camera. When I looked at new DSLRs just over three years ago I went to a camera shop and had them put the Nikon D5500, Fuji XT1, Olympus OMD EM5 II, and Nikon D750 on the counter. I went for the D5500 as I had been using a D3200 for two years and got very good images from it and no repairs. The D5500 added new features including a very useful touch screen. I checked out the Fuji as many reviewers were talking about it having a very high quality body with direct dials on it to make the most important adjustments. I looked at the Olympus because I have been the happy owner of several Olympus cameras since 1980 and really liked the brand. I looked at the Nikon D750 as I had been shooting full frame film for many years and liked the perspective of that size image capture media.
Nikon D750 & 50mm f1.4
The D5500, Fuji, and Olympus all were about the same size and felt like they weighed about the same in the hand. The Nikon D750 was a lot bigger and a lot heavier, and critically, would have been much more money than in my budget at the time for a new camera once lenses were included. The Olympus had a smaller sensor than I wanted. The Fuji was nice but not smaller or lighter than the D5500 and would have been a lot more expensive for me to buy with lenses than the Nikon D5500. At the time I thought that if money was not a problem I would have bought the D750.
D750 and Lightroom Monochrome B&W setting
So after three years I had the bug to buy a new camera before our summer motorhome trip this year. I bought a Sony compact last year that fits in my pocket and gives me great results that are a step up from my iPhone X. So I thought, why not try a Sony full frame. I rented an A7rIII and Zeiss 58mm f1.8. I got some really great files from that rental. I would have stepped down to the A7iii though as the file size from the R were just bigger than what I want/ need. I did not find the A7 comfortable in my hand. I did like the size of the body. But when you add lenses much of the time it is the same size as a DSLR. The Zeiss 58 f1.8 is much bigger /longer than the Nikon 50mm f1.4 and costs more than twice as much. And there is the Sony menu system. I have used it through all of my 4 Sony compact cameras. I find the Nikon menus & controls easier to use.
D750
I very rarely take video and when I do I use my iPhone. My main reason for wanting EVF is to avoid blown highlights. But Nikon offers an exposure setting that auto reads for highlights and avoids blowing them. DP review and many others place the Nikon D750 and Sony A7iii about the same in overall quality. So why did I get the Nikon? I just could not pass up the deal and I am very happy with Nikon. I still very much like my D5500 after three years. I still think it is the best camera in it’s category. It is so easy to use compared to my Sony compact. It just does not fit in my pocket.
The deal. Nikon sent me an email offering me the D750 plus battery grip plus 24-120 f4 lens for 2 grand. The Sony A7 body was 2 grand. And the Sony 24-105 f4 is $1,300. So if you don’t count the grip and only the lens and body the 750 is $1,300 less. But I bought a 50mm f1.4 from Nikon for $369 (refurbished) and I did get the grip. The 750 was about 40% less than the Sony comparable package. Now I have had it for a week. I made a good choice. What is the single thing I like the best about the Nikon deal, the grip I would have never bought if it was not free. It makes it so convenient to go to portrait mode and has and extra set of controls and one of those easy adjusters for setting focus. What is the thing I like the least, the size and weight up from the D5500. But the Sony A7iii would not have been smaller with the 24-105 on it and would have been just 8 oz lighter. Plus after a week I am kinda used to the heavier weight. Yesterday I went hiking with the 750 and used a Peak snap connector on my backpack strap. The size was fine.
D750
So what do I like about the D750 so far. It gives great images, fast. No waiting for focus or anything else on this camera. The files come up looking really good and the jpegs too. I usually shoot raw, but tried using raw + fine jpegs. I ended up using mostly jpegs of the photos I have taken so far. I tried editing the raws in LR Classic and ended up about the same place between the finished raw and jpeg files. The focus set on auto just seems to find the subject 9 times out of ten. If it does not I just center and reposition. I have been experimenting with the exposure. The no-overexpose setting works about 80% of the time. Bracketing and using LR to merge works well too. I very quickly just set this camera on manual (not manual focus) on the top dial and used the two wheels to adjust f-stop and speed. The individual buttons are faster than the touch screen on the D5500, but not by much. I very much like two adjust wheels. Makes using manual a breeze. And I love love the big viewfinder.
So right now I am very happy with my purchase. The files do seem a bit better than the D5500. Even when I do a lot of cropping the result is fine. So not getting a camera with 40+ megapixels seems the right choice. If Nikon was introducing their mirrorless at the end of the summer I would likely have held off, but a year till next Spring was too long to wait. If Nikon blows me away with a mirrorless that has normal size lenses (normal Nikon size), does not break the bank (Leica style), and comes with reasonable size files and not huge ones, then I might spring for one of those when they come out next spring.
So how does this affect my fondness for film. It does not. The only thing I am going to change with this summers trip is to only take one camera (besides cell phone) on each day and not a film and digital. Last time I took film and larger digital cameras most of the time to compare shots. That is done and now I need to concentrate on working with the tool in hand to make the best composition.
Final comment. Right now I still think my Olympus OM2n and the Nikons from the 1980’s like the FE were a better design than what we have today. I would like to buy an Olympus full frame digital that had a body the size of the OM2n and lenses the same size as the ones I have from the 1980’s. Why is it only Leica seems to get this? If my budget would stretch to a Leica M10 and 50m Summicron? Well one can hope.
My web site is about photography, RV ing, audio, gadgets and other things that interest me and I know something about.
